As Hollywood's grip on the film and TV industry loosens, the spotlight shines on Northern Ontario, a region stepping up to fill the void. This article delves into the region's strategic advantages, from its picturesque landscapes to its enticing incentives, attracting production companies seeking cost-effective and diverse filming locations.
A Region's Resilience
Northern Ontario's transformation from mining and manufacturing to a film and TV hub is a testament to its adaptability. The region's allure lies in its ability to offer a unique blend of factors that production companies seek: regional bonus incentives, cheaper labor, and a diverse range of iconic locations.
David Anselmo, CEO of Banner Hideaway Pictures, emphasizes the importance of incentives, stating, 'Beautiful locations and strong infrastructure get you into the conversation, but incentives are what help close the deal.' This sentiment resonates across the province, especially as Ontario faces increased competition from British Columbia's recent tax credit hike.
The Power of Incentives
The Northern Ontario Heritage Fund (NOHF) plays a pivotal role in attracting producers to the region. This tier-based grant, combined with provincial and federal film tax credits, can provide a bonus tax credit rate of 45 percent. This financial leverage is crucial in an era of tightened license fees and selective buyers.
Sudbury, a city at the forefront of this film boom, showcases its versatility. From Jason Biggs' directorial debut 'Getaway' to the fantasy action comedy 'Deathstalker' and the body horror feature 'The Pond', Sudbury's natural landscape, including its lakes and wilderness, has proven to be a significant draw for above-the-line talent.
A Natural Haven for Filmmakers
Clayton Drake, Sudbury's film officer, highlights the city's industrial nature alongside its natural beauty, stating, 'People think of us as an industrial city, but we have beautiful lakes and wilderness here.' This unique combination of industrial and natural settings provides a compelling draw for filmmakers.
The success of Guillermo del Toro's 'Frankenstein' in North Bay further exemplifies the region's appeal. The production utilized Lake Nipissing to create the Arctic's frozen expanse, showcasing the region's ability to provide specific and timely filming opportunities.
Small-Town Charm and Efficiency
Tyler Levine, producer of 'All My Puny Sorrows', found North Bay's small-town rhythm and hospitality particularly appealing. He describes the experience as having 'your own big studio' with easy access to various filming locations. The city's beauty and the kindness of its residents made the production process refreshing and scenic.
Southern Charm and Proximity
Parry Sound, located just a two-hour drive from Toronto, offers a similar charm. Filmmaker Megan Park's feature 'My Old Ass' was shot in the Muskokas, showcasing the region's forested landscapes and lakeside cottages. This proximity to Toronto makes it an attractive option for filmmakers seeking a balance between accessibility and cost-effectiveness.
Looking Ahead: Collaboration and Investment
The region's proactive approach to collaboration and investment in homegrown storytellers is a key trend. Director Lisa Jackson's 'Medicine Fire' and filmmaker Tricia Black's 'The B-Side: Dusk' are examples of projects that utilize the region's natural landscape to tell stories of cultural survival and geological drama.
As the industry continues to evolve, Northern Ontario's strategic advantages, combined with its commitment to homegrown talent, position it as a rising star in the film and TV landscape, offering a unique and compelling alternative to traditional production hubs.
